Rufus du sol los angeles9/24/2023 Many fans started to leave when the band left the stage after “Innerbloom,” but most rushed back when the encore opened with “Next To Me,” one more simple, hopeful lyric and another irresistible groove.įlight Facilities, which played for about 50 minutes before Rüfüs Du Sol, was equally popular with the fans who got there in time to hear them. Most people on the floor or in the seats danced throughout, with later highlights including songs such as “Treat You Better,” which got one of the loudest responses of the night, “See You Again,” and “Alive.” It’s only been a week since the crush of the crowd at Travis Scott’s Astroworld show in Houston led to the deaths of nine people. The open field in front of the stage was crowded but not in an uncomfortable way. Lindqvist came out from behind his keyboards to play guitar on this one, and singer Curtis Harding, who is featured on the track, stepped out to sing his part live before confetti blasts punctuated the finish. “Surrender,” the song off the new album, was equally uplifting in sound and spirit. “Make It Happen” opened with the recorded voices of a children’s choir from the new album before the chorus of “Love can change it all / Love can make it happen” added a touch of Beatles-like positivity to the number. The music builds slowly, the sound growing bigger with each verse and chorus, while the lyrics take a simple hook and repeat them until they’re mantra-like for the dancing crowd.Īs the show progressed, other highlights arrived. Songs such as “You Were Right” or “On My Knees,” both of them early highlights on Friday, are good examples of the Rüfüs Du Sol method. Yes, there’s a ton of electronics in the music they make, but they look and play more like a rock band than DJs and producers in the EDM genre. Unlike many electronic dance music artists, such as fellow Australians Flight Facilities, who opened the show, Rüfüs Du Sol doesn’t perform behind banks of computers and sequencers and other digital gear. Rüfüs Du Sol gets tagged as an alternative dance act, which it is – people do dance to them – but that’s also a bit of misdirection, too. It creates a really exciting energy.The night opened with Lindqvist, keyboardist Jon George, and drummer James Hunt taking their places on three platforms spread evenly across the stage and playing the opening number “Eyes” in backlit silhouettes, shrouded in shadows and smoke. “There’s a lot of creative things happening here,” the trio says. Now residing in Los Angeles, RÜFÜS DU SOL have found a fresh creative perspective and a thriving new environment for their studio work. Their sophomore follow-up, 2016’s Bloom, subsequently hit #1 as well, transforming them from national heroes into a rising global phenomenon. RÜFÜS DU SOL first made their break in 2013, when their debut album, ATLAS, reached #1 in Australia. It’s a show which has earned the group a loyal international fanbase, taking them across the world from North America’s Lollapalooza to Serbia’s EXIT Festival. Much of the group’s success has been predicated on their live show: a highly emotional affair which finds the trio adopting a traditional band setup on stage, while performing texturized, synth-heavy reinterpretations of their songs. With a style that expertly blends infectious songwriting with delectable deep house grooves, the trio have carved out a signature sound that is both poignant and relentlessly infectious. The Australian three-piece, comprised of members Tyrone Lindqvist, Jon George and James Hunt, RÜFÜS DU SOL have come to occupy the intersection of charming indie dance and intelligent electronic music. RÜFÜS DU SOL have emerged as one of the world’s preeminent live electronic acts. Presale: Thursday 4/7 10am-10pm | Password: ROADIE
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